No Man In A Box!

Permalink | zuckermann | February 14, 2008 | Club Music, Electronic Music, News |

The artist who invented boxes

These days, it becomes harder to box artists into pre-fabricated categories. Whereas in the 90ies it was crystal clear that Blake Baxter stood for House and Dave Angel or Jeff Mills for Techno, in our postmodern or decadent or maneristic age of dance music, it has become quite confusing.
Could anyone put James Holden and his Border Community in a box? Trance or ultra poetic innovation?? Or Radio Slave? Just an old fart of a Minimal producer or a genius of hynotic Pop-remixes?? Or Noze? Cheesy Wannabee Pop heroes or authentic underground artists with a disposedness to refined melodic infiltration??

So, yeah, boxes don’t make much sense anymore, uh? Not even to mention Justice and the whole Ed Banger posse like SebastiAn or Simian Mobile Disco. Although here, we could at least and wholeheartedly say: overhyped (but sometimes still quite, well… ok).

So even though club music seems to be “very dogmatic and almost unchangeable” - as Ricardo Villalobos pointed out in a really cool Groove Magazin (the bible of German club music enthusiasts) interview - it indeed has come a long way. Even Villalobos with his reduced-to-the-bones approach would probably be the first one to acknowledge that. Simply because although he is seen as the most rigid minimalist, it is him who uses ideas from gypsy CDs or samples even by our alltime favourite Johann Sebastian Bach to give his see-through structures some colour and light. Apart from his hypnotic grooves of course.

So club music nowadays becomes much more that just that; CLUB music. It has reached a level of differentiation - and we are not talking about the usual “progressive” House and other shit like that in case you didn’t notice - that makes this “genre” probably one of the most interesting (if not THE most interesting) in today’s “popular music”.

To come back to James Holden again, when we heard his mind opening poetic and for long stretches rather beatless set on Sonar Festival 2007, there was not a single Poom Tchak that we did miss. And no categories needed either. Now I could say: just a musician and his music. But that would make things to simple. I prefer to say: a very strong position in contemporary music.

On “Melancholic tonic” at Infinitestatemachine

Permalink | zuckermann | February 9, 2008 | Club Music, Electronic Music, News, Reviews EP |

The ultimate melancholy

What a cool post!

Interesting, that most of the stuff is rather ancient though (I am not talking about release dates only, but about style). I wonder if all this melancholy is a nostalgia issue?

So, what about contemporary sadness in club music? Just a handful, arbitrarily picked from Zuckermann’s “special melancholy collection”:

-> Above all, The Juan Maclean - My shining skinned friend, for example
-> Daypak & Padberg - Black Beauty
-> Those ‘Incredibles’, Noze - Bike double U Noze
-> Carl Craig - Darkness(!) (Radio Slave remix)

Not to speak about ->DJ Hell, when he was still hip? Particularly with this incredible Piaf cliché turned from its head to its feet: She Regrets feat. Billy Ray Martin?

And so, the sadness in “electronic” music continues…

Myspace goes Blackhole

Permalink | zuckermann | February 1, 2008 | News, Stalking |

Nice idea - rather DADA than agitprop (=agitation and propaganda), or is it agitPOP? Whatever, would be cool, if only the message was less political (”message” itself is soo 68…). As some Davos guys are not getting tired to say: the result counts - in that sense: te absolvo.

PS: reminds me on that (web 1.0) one



Impressum
Close
E-mail It